
How Exhibitions Are Built: From Crates to Walls
The week before an opening is the part visitors never see. Here is how a show actually gets made.

The week before an opening is the part visitors never see. Here is how a show actually gets made.

Court records, not taste, separate homage from infringement: the Second Circuit's Koons and Prince rulings show how the fair use factors weigh borrowed work.

Commercial galleries are free, need no appointment, and welcome browsers; a first walk through West Chelsea's 200-plus doors needs only four moves.

Retrospectives gather an artist's work across decades, staged late for the long view, and Canada's documented fee fight put pay behind the honor.

Marfa, Beacon, and Provincetown each turned cheap space and one committed institution into small-town economies that run on art.

Art critics look, describe, and judge. Here is what actually happens when a critic reviews a show, from first notes to published review.

A certificate of authenticity promises a lot on paper. Here is what a valid COA contains, what it guarantees, and where buyers get fooled.

A plain guide to reading a gallery price list and asking about artwork prices, from what the list shows to who sets the numbers.

New York's major collections are cheaper than the ticket counter suggests — if you know which door to use.

A Vermont gallery show of landscape painting, and a short guide to looking at plein air work the way it deserves.